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| Pilot cutters in Jaque Cartier Basin St Malo |
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| A weekend with Lula |
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| Something for the weekend |
Thursday, 21 June 2018
Small boat paintings
A trio of small boat paintings in acrylics. I was exploring the effects of light on water, trying to capture the intense glare and reflection. Two of the paintings were of Woodbridge in Suffolk and the two boat painting was of St Malo in Brittany.
Friday, 4 May 2018
Oil Painting
Having spent most of the last eight years painting in acrylics and watercolours I have decided to take a proper look at oil as a medium.
There is a lot of prejudice and bullshit written about the merits of oil versus acrylics, much of it driven by snobbery, that oil is the superior medium. There are merits and drawbacks to either medium but any competent artist should be able to get a quality result from either.
So, a few months ago I took the plunge and began experimenting with oil in between other projects. I had dabbled with oil occasionally many years ago but never for long enough to form an opinion as to whether it would suit me as a regular painting medium.
Superficially they look the same, with a toothpaste like consistency and these days some brands of oil can be thinned with water. But that is where the similarity ends. It has been like going back to school, mixing colour and getting the appropriate fluidity has been an issue as well as the basic techniques of constructing a painting.
Below is a slightly impressionist oil sketch of the Gare du Nord in Paris. I was aiming for a feeling of movement with depth and perspective.
There is a lot of prejudice and bullshit written about the merits of oil versus acrylics, much of it driven by snobbery, that oil is the superior medium. There are merits and drawbacks to either medium but any competent artist should be able to get a quality result from either.
So, a few months ago I took the plunge and began experimenting with oil in between other projects. I had dabbled with oil occasionally many years ago but never for long enough to form an opinion as to whether it would suit me as a regular painting medium.
Superficially they look the same, with a toothpaste like consistency and these days some brands of oil can be thinned with water. But that is where the similarity ends. It has been like going back to school, mixing colour and getting the appropriate fluidity has been an issue as well as the basic techniques of constructing a painting.
Below is a slightly impressionist oil sketch of the Gare du Nord in Paris. I was aiming for a feeling of movement with depth and perspective.
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| Gare du Nord Paris |
Wednesday, 18 April 2018
New Work
A number of exhibitions are looming so I have been busy generating new work.
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| Connie in the clouds |
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| Paris from Suresnes |
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| The view from Sun Pier Chatham |
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| The Old Royal Naval College Greenwich |
Wednesday, 3 January 2018
Luke Wickenden of Kent
Luke was my reserve choice for the Sir Peter Buck portrait painted for Eastgate House in Rochester Kent, and was disappointed when a slightly more mature sitter in the shape of Phil Gomm was selected.
I promised I would produce a portrait of Luke anyway and finally got around to it just before Christmas. Just to add to the challenge Luke is an avid online gamer and asked to be dressed in the armour of one of his favourite characters.
No pressure then.
I promised I would produce a portrait of Luke anyway and finally got around to it just before Christmas. Just to add to the challenge Luke is an avid online gamer and asked to be dressed in the armour of one of his favourite characters.
No pressure then.
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